We asked Lucy Flattery-Vickness, Oakland's 2017 Youth Poet Laureate to tell us about her creative process and Green Windows' role within it. Lucy first wrote in a Green Windows workshop when she was 14, part of a series of free workshops run for the Oakland Youth Poet Laureate program at the Oakland Public Library. She's included a gorgeous poem, too. Thank you, Lucy! How I String Words It usually starts with a few words strung together, tightrope thin, and a mother-load of procrastination. This line, or assortment of words, will stew in the deepest, dankest parts of me, and it will stew and stew and stew. Then, maybe, I will find a moment with silence, and the sun will be out, and my room will be still and warm and clean. Something may have just happened that requires processing through an emotional sieve. When this happens, then I may find some success in writing a piece. Creating a piece that walks smooth and balanced on those first tightrope words is always challenging. I never start with a plan, or a beginning, middle, or end. I start with my ear, who tells me that combining my tightrope words will create a heartbeat. I am then left with the task of creating a poem backbone around that heartbeat. I guess you could say I write in reverse. Green Windows revolutionized my writing process. I stumbled across the workshops and quickly fell in love. I realized that in the space of five minutes, I could create something I was proud of. It was momentous for me to discover that if I just kept the pen moving a whole body could come out — backbone, heartbeat, and all. I also learned something very important for my own well-being. I discovered that I could write about whatever was on my mind and people would listen, and that the process of being received was healing. Although Green Windows is by no means the only program that has helped me develop as a writer, it has always been an intimate space that has allowed me to find even more reasons to love writing. - Lucy Flattery-Vickness Poem by Lucy Flattery-Vickness Crescent moon Curved Like bodies of women Like safety Gentle Like waves folding in on themselves Like bodies of women Crescents be powerful Be holders of wisdom As ancient as the sun Be tops of hills That forever hide the other Sides of things The tipping point If you turned the half moon on its side Would it balance there? If you tip a woman’s body Can you see her inner balance take over We start in diaphragms In slow breath That render us fierce Whisper laugh wisps of ghost stories amongst ourselves Weave mythology and moonbeams Together on looms at midnight Knit strength between fingertips And name ourselves luna, and crescent, and conquerer In out tongue, round back is for bearing For soft landings For rocking Stories into existence Stories of warriors With full breasts And children too Draped in silver from head to toe Warriors who moved waters Who screamed into oceans and heard tides echo back Who charmed waves, new just How to make them shake their hips In this woman Half moon is company in midnight window And warrior
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